Posts Tagged ‘ literary judgement ’
… Maybe I’m naive, but I was surprised that T C Boyle’s story in this week’s Harper’s was boring. I’ve heard good things about T C Boyle, and about Harper’s. Combine that with a story titled ‘What Separates Us From The Animals’ and I thought I was in for a sure thing. The reason I treat myself to a foreign [ READ MORE ]
A good book editor has to be capable of mentoring a person: after hacking at the fundamental structure of an author’s manuscript, an editor needs to be there to field questions, lend support and generally reassure the author their early work has not been one big, protracted period of self delusion and folly. A good editor [ READ MORE ]
Yesterday afternoon, waiting for an author who was waiting on the other side of the cafe, I had a chance to read ‘Clinching’, a story by Emmett Stinson in the first issue of Kill Your Darlings.1 Emmett, at 30-odd, is on the cusp of SIB’s definition of ‘young writer’, but I’ve been encountering his work since [ READ MORE ]
Over at Virugle there is a mostly-one-way discussion being had about how terrible Australian Book Review is for deciding not to award the inaugural Young Calibre Non-fiction Prize – an essay prize that matches their esteemed Calibre Prize, but for writers under 21. Unfortunately, apart from a questionable call for transparency, I don’t get a [ READ MORE ]
Something else I’ve been doing lately, while not being a high-flying literary judge, is reading Nic Low’s novel manuscript, ‘Tailings’. Because I’m a youth-literature crusader and everything. Nic is not exactly ‘a youth’, but whatever. I’m familiar with some of Nic’s other arts work, so I was delighted when he asked me to read and [ READ MORE ]
Over the last couple of weeks I’ve been co-judging, along with Stefan Laszczuk, a short-story prize run by the editors of Adelaide University’s student magazine, On Dit. Of course I put my hand up, because now I am a fusty old ex-Voiceworks editor, desperate to get my hands on the raw content of young, emerging Australian [ READ MORE ]
In comments on my recent post about claims that YA literature is ‘intrinsically of less cultural value than the real books’, Linnet Hunter raised some interesting questions about the perception of YA literature in Australia I was going to reply with a comment, but I was compelled to delve deeper into the subject. Reviewing Space The first [ READ MORE ]
I often read claims like this: So is YA taking over the grown-ups’ table? It’s a revealing question, steeped in the kind of condescension that assumes books aimed at young people are intrinsically of less cultural value than the real books, speculative or otherwise, that are ostensibly for adult readers. It’s also drenched in fear because, [ READ MORE ]
I have a question to ask that seems simple, but which grows increasingly complex when you think about it. How do you consider author intention when reviewing a novel? I’ve come up ambivalent about a book I’m reviewing. When this happens I like to make note of the positives and negatives and try to round up [ READ MORE ]