In the same week that I gored myself, I accepted a job offer from Wakefield Press. I’m visiting Brisbane for Christmas, then I’ll be heading to Adelaide to resume a seat at my old desk, to make books full time again. I won’t be needing any presents this year.

This may come as a surprise to many of my friends and colleagues in Melbourne, but it’s been on my mind and in the works for a couple of months. I’m looking forward to seeing old friends and working with the wonderful people at Wakefield. I’m looking forward to having an occupation again.

For seven months after Voiceworks I drove aimlessly around Queensland in my campervan, Delilah. For the last five months in Melbourne I have found it difficult to shake my holiday habits – in particular my tendency to start the day by sitting down with a computer and/or a book and chasing miscellaneous ideas down rabbit holes, which is fun, but not conducive to gainful employment or paying the bills or saving the world.

A lot of these ideas have related to agency and social entrepreneurship, as I have dallied with the idea of starting up a literary agency. The loftiness of this ambition has dawned on me only recently – along with the fact I am wildly under qualified. So I’ve deferred these aspirations for the short term. I will spend the next couple of years gaining experience of other areas in the industry – rights and contract management, hopefully. I will knuckle down and get to New York, where I hope to gain a placement with an agency – as a reading assistant or general work-experience lacky.

Wakefield, blessedly, are aware of my long-term ambitions. They always have been, even as I fumble about figuring out exactly what they are. When they originally employed me as a typesetter, they knew about and supported my aspirations to work as an editor. I took manuscripts home to work on in my spare time, and gradually worked up to the point where I was typesetting half the time, and editing the rest of the time, or thereabouts. I will do the same again.

Because this work aligns so perfectly with my own work, I don’t baulk at working overtime to advance my skills and experience. So I’ll continue to work with the writers I have been building relationships with, to the extent that I can in my spare time or within my new in-house capacity. I hope to bring my new networks and experience into this equation.

This decision also has ramifications for this blog: the new focus in my life will inevitably be reflected here. It’s early yet, but I have plans to move this away from a blog where I ‘empty my thoughts … on literary culture, philosophy and interesting things that happen’, and develop a focus on my exploits going into bat for young writers, as a book editor, aspiring agent and location-independent social entrepreneur.

Wakefield Press are incredibly supportive employers – such that Michael and Stephanie, as well as various members of the long-term staff have continued to be inspirational mentors and friends during my years at Voiceworks. I look forward to upholding their motto: ‘We love good stories and make beautiful books.’

I’ll be having short-notice farewell drinks at Prudence this Friday, from 5pm if you want to come.

I met this guy called Warri who wants to start up an arts and culture magazine. So I said, ‘Hey, I know a thing or two about magazines, let’s hang out and geek out on production talk.’ We’re yet to meet up, but we will.

Recently Andre, who I posted about a while back, emailed me for advice on a book proposal he’s putting together in the capacity of Right Now editor. I sent some feedback along with a book-information-summary sheet I’m developing for Paine Management – this should give him an idea of the sort of info publishers are chasing in book proposals. I hope he’ll keep me in the loop, because this is exactly the sort of thing I’d like to move into.

Last night we launched How to Make Trouble, the book I’m helping Breakdown Press to distribute to Australian bookshops¹. It was a raging success, and much fun was had by all. I feel confident that we’ll move the whole (substantial) print run, and it’s been empowering to apply the distro knowledge I hadn’t even noticed I picked up along the way.

Plus I’m always reading someone’s work and sending back feedback. Mechanics joke and moan about this, and people sometimes ask me if my writer friends are always hitting me up for some free editing. I say yeah, and invariably they say, ‘You know, I write a bit of poetry … ‘

This is agency as I know it – I don’t know much …

… but I know that what I am essentially doing in a relationship like this is acting as a consultant. It’s agency of a temperate variety, but it’s just the beginning. I’d like to take Andre’s book proposal to a publisher and say, ‘Hey, you should publish this and these are three good reasons.’

I conceived the idea to establish a publishing-services business with agency in there as a service to offer, with the long-term plan to allow things like typesetting, editing and indexing to slowly atrophy as legitimate agency opportunities arise.

In the meantime, if I can offer consultancy services on a case-by-case, somewhat ad hoc basis and figure out a way to monetise this, that would be great. If you’re interested in using services like this, let me know – in lieu of actual money, we could arrange a mutually beneficial sort of pro bono arrangement.

To this end, I recently registered with a website called The Sharehood - one of a few online communties I know about that are trading in alternative currencies: samaras. there, I’m offering print-publishing services in exchange for web design and development services. Maybe I should add ‘publishing misc’ in the things I can offer.

1. this one I”m even getting paid for!